1/2/2024 0 Comments Phew phew song![]() To emphasize Pepé's cheerful dominance of the situation, Penelope is always mute (or more precisely, makes only natural cat sounds, albeit with a stereotypical "le" before each one) in these stories only the self-deluded Pepé speaks (several non-recurring human characters are given minimal dialogue, often nothing more than a repulsed "Le pew!"). Undeterred, he proceeds to cover his white stripe with black paint, taking the appearance of a cat before resuming the chase. Īlthough Pepé usually mistakes Penelope for a female skunk, in Past Perfumance, he realizes that she is a cat when her stripe washes off. Unfortunately, now she will not take "no" for an answer and proceeds to chase Pepé off into the distance, with no intention of letting him escape. Now more forceful and demanding, Penelope quickly corners the terrified Pepé, who, after smelling her new stench, wants nothing more than to escape the amorous female cat. However, Penelope (who in this picture is actually trying to have a relationship with Pepé because all the male cats of New Orleans take her to be a skunk and run like blazes, but is appalled by his odor) had decided to make her own odor match her appearance and had locked herself in a Limburger cheese factory. Pepé is revealed to be extremely frightened of overly-affectionate women ("But Madame!"), much to his dismay, as Penelope quickly captures him and smothers him in more love than even he could imagine.Īnd yet again, in Really Scent, Pepé removes his odor by locking himself in a deodorant plant so Penelope (known in this short as ' Fabrette' a black cat with an unfortunate marking) would like him (this is also the only episode that Pepé is acutely aware of his own odor, having checked the word "pew" in the dictionary). This resulted in something close to a love potion, leading Penelope to fall madly in love with Pepé in an explosion of hearts. In another short, Little Beau Pepé, Pepé, attempting to find the most arousing cologne with which to impress Penelope, sprays a combination of perfumes and colognes upon himself. Penelope locks him up inside a perfume shop, hiding the key down her chest, and proceeds to chase the now-imprisoned and effectively odorless Pepé. It turns out that Pepé's new color is just right for her (plus the fact that the blue paint now covers his putrid scent). In a role-reversal, the Academy Award-winning 1949 short For Scent-imental Reasons ended with an accidentally painted blue (and now terrified) Pepé being pursued by a madly smitten Penelope (who has been dunked in dirty water, leaving her with a ratty appearance and a developing head cold, completely clogging up her nose). Accordingly, he shows no sign of narcissistic injury or loss of confidence, no matter how many times he is rebuffed. For example, he describes a hammer blow to his head as a form of flirtation rather than rejection. Pepé describes Penelope as lucky to be the object of his affections and uses a romantic paradigm to explain his failures to seduce her. One episode was in the Sahara Desert, with Pepe seeking to work as a Legionnaire at a French military outpost. Settings associated in popular culture with romance, such as the Champs-Élysées or the Eiffel Tower, are sometimes present. The exotic locales, such as Algiers, are drawn from the story of the 1937 film Pépé le Moko. They include Paris in the springtime, the Matterhorn, or the little village of N'est-ce Pas in the French Alps. The setting is always a mise-en-scène echoing with fractured French. Penelope frantically races to get away from him because of his putrid odor, his overly aggressive manner or both, while Pepé hops after her at a leisurely pace. The cat, who was retroactively named Penelope Pussycat, often has a white stripe painted down her back, usually by accident (such as by squeezing under a fence with wet white paint). Pepé Le Pew storylines typically involve Pepé in pursuit of a female black cat, whom Pepé mistakes for a skunk ("la belle femme skunk fatale"). However, his offensive skunk odor and his aggressive pursuit of romance typically cause other characters to run away from him. Depicted as a French striped skunk, Pepé is constantly on the quest for love. Looney Tunes and Merrie Melodies series of cartoons, introduced in 1945. Pepé Le Pew is an animated character from the Warner Bros. Henri, Stinky (see Cameo appearances), Pepe Henri Le Pew (full name) Terry Klassen ( Baby Looney Tunes 2002–2006) Odor-able Kitty (1945) (preliminary version)įor Scent-imental Reasons (1949) (official version)
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